Art/Histories in Transcultural Dynamics, Late 19th to Early 21st Centuries, which was held from 5 to 7 December 2013 at the Department of Art History at Freie Universität Berlin, and at the Ethnologisches Museum and the Museum für Asiatische Kunst in Berlin. Īcknowledgements This volume gathers together fourteen essays originally presented at the conference Questioning Narratives, Negotiating Frameworks. ISABEL WÜNSCHE Transgressing National Borders and Artistic Styles: The November Group and the International Avant-Garde in Berlin during the Interwar Period. JULIANE NOTH Comparing the Histories of Chinese and Western Landscape Painting in 1935: Historiography, Artistic Practice, and a Special Issue of Guohua Yuekan. TOMOKO MAMINE Questioning Frames of Art History: Murakami Saburō’s Breakthrough in 6 Holes. īIRGIT HOPFENER Intervention Is the Answer, but What Are the Questions? Developing Criteria for a Critical Examination of Qiu Zhijie’s Interventionist Project A Suicidology of the Nanjing Yangtze River Bridge. PAULINE BACHMANN Grasping Writing and Form: Neoconcretism between Language and Object. PARTHA MITTER Jamini Roy: Negotiating the Global from a Local Perspective. TOBIAS WENDL Fictions, Fakes, and Authenticities: A Survey of Artistic Practices from Africa and the Diaspora. MELANIE KLEIN Modes of Creation: Art Teaching in South Africa and Uganda between Theory and Practice. MICHAEL ASBURY Some Notes on the Contamination and Quarantine of Brazilian Art. GEORG VASOLD The Revaluation of Art History: An Unfinished Project by Josef Strzygowski and His School. MATTHEW RAMPLEY Evolution, Aesthetics, and World Art. SYLVESTER OKWUNODU OGBECHIE Art, Nationalism, and Modernist Histories: Writing Art History in Nigeria and South Africa. PAOLA IVANOV Rethinking Coevalness: Entangled History and the Objects of Ethnological Museums. SHIGEMI INAGA Western Modern Masters Measured on the East-Asian Literati Template: Hashimoto Kansetsu and the Kyoto School of Sinology. PAULINE BACHMANN / MELANIE KLEIN / TOMOKO MAMINE / GEORG VASOLD Introduction. © 2017 Wilhelm Fink Verlag, ein Imprint der Brill-Gruppe (Koninklijke Brill NV, Leiden, Niederlande Brill USA Inc., Boston MA, USA Brill Asia Pte Ltd, Singapore Brill Deutschland GmbH, Paderborn, Deutschland) Internet: Einbandgestaltung: Evelyn Ziegler, München Herstellung: Brill Deutschland GmbH, Paderborn ISBN 978-3-7705-5939-8Ĭontents Acknowledgements. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen ist ohne vorherige schriftliche Zustimmung des Verlags nicht zulässig. Dieses Werk sowie einzelne Teile desselben sind urheberrechtlich geschützt. The German Research Foundation (DFG) enabled the publication of this volume with funds provided for Research Unit 1703 Transcultural Negotiations in the Ambits of Art: Comparative Perspectives on Historical Contexts and Current Constellations.Ĭover illustration: Ernest Mancoba, Untitled, 1939, ink and watercolour on paper, 26.7 × 20.6 cm (courtesy of the Estate of Ernest Mancoba / Galerie Mikael Andersen, Copenhagen)īibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie detaillierte bibliografische Daten sind im Internet über abrufbar. Komparatistische Perspektiven auf historische Kontexte und aktuelle Konstellationen ermöglicht. KUNSTHISTORISCHEN INSTITUT DER FREIEN UNIVERSITÄT BERLINĪrt/Histories in Transcultural Dynamics Narratives, Concepts, and Practices at Work, 20th and 21st CenturiesĮdited by Pauline Bachmann, Melanie Klein, Tomoko Mamine, Georg Vasoldĭie Publikation dieses Bandes wurde durch die Deutsche Forschungsgemeinschaft im Rahmen ihrer Förderung der Forschergruppe 1703 Transkulturelle Verhandlungsräume von Kunst. Tomoko Mamine Georg Vasold (Eds.) Art/Histories in Transcultural Dynamics.
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